Abstract:
Manju Kapur’s A Married Woman is a novel that displays a spectrum of diverse cultural, sexual and gender identities. The novel opens up spaces that are self-reflexive on the line of democratic incorporation of voices of those in the fringes. At the same time, it re-interrogates the lines of division that we draw in terms of mainstream and queer, us and them, male and female, and the personal and the public. In a way, it won’t be wrong to assert that the novel provides abundant and endorsed declarations for inclusion y exploring the history of unique gender expressions throughout the country.
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